Necessity
The Fundación CreSiendo Park directly addresses the needs of a community in El Rosal, Cundinamarca, heavily impacted by internal conflict that concerns
displaced and demobilized populations. It provides a necessary, safe educational infrastructure that rejects the restrictive, traditional classroom. Instead, it embodies a pedagogical model of free learning, discovery, and engagement with the environment, which is vital for social repair and child development in this challenging context. Environmentally, the project is an essential demonstration of a circular economy, utilizing approximately 80% recycled materials such as cement waste, advertising banners, and wooden pallets.
1. Cement Waste: At the start of the project, we discovered a precast concrete factory nearby—roughly 700 meters from the site—that produced curb stones, benches, floor tiles, and other items. Upon realizing this, we approached them, knowing that such facilities generate a high volume of waste from broken materials that cannot be reused in their process. We repurposed this waste to build gabions, which were then used for soil retention, foundations, and internal walls.
2. Billboard Banners: In Colombia, some billboards still use physical banners rather than digital screens, measuring approximately 12 x 4 meters. Once the advertisement is swapped out, these banners are discarded and are notoriously difficult to recycle. We contacted the companies that own these billboards and collected the materials, recognizing that they are engineered to withstand extreme outdoor conditions. We painted them green and used them to cover a large portion of the exterior facade.
3. Wooden Panels: We repurposed waste from the wooden pallets used in the automotive industry to import motorcycles. These pallets are made of pine wood, built to endure weathering and extreme temperature fluctuations. We used them to assemble panels, applying the Japanese Shou Sugi Ban technique. This process not only preserves and immunizes the wood but also gives it a warm, inviting aesthetic.
Ultimately, the spirit of this project was not only to be environmentally and socially sustainable but also educational. From the very beginning, we wanted children to understand that the world can be perceived in two or more ways, that everything they know can be transformed into something entirely new.